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Summary

"Umehaggan" or "to hunt turtle" by Dawn Lee Reyes.

The green sea turtle of "haggan" has played an important role in CHamoru culture over millennia. Until very recently the eating of haggan meat or eggs was a delicacy at parties, fiestas or weddings.

"Umehaggan" or "to hunt turtle" by Dawn Lee Reyes.

"Umehaggan" or "to hunt turtle" by Dawn Lee Reyes.

“Umehaggan” or “to hunt turtle” by Dawn Lee Reyes.

The green sea turtle of “haggan” has played an important role in CHamoru culture over millennia. Until very recently the eating of haggan meat or eggs was a delicacy at parties, fiestas or weddings.

The shell of a haggan was one of the most precious materials used by ancient CHamorus. It could be used to buy peace in conflict and facilitate forgiveness between clans over offenses. It was also given to cement alliances or friendships between families and villages.

The haggan shell was used by CHamorus prior to Spanish colonization to create jewelry for body adornment or trade. One of the most notable examples of this was called “guinahan famagu’on” or the wealth of children. It was a special necklace made from haggan shell that was given to someone if they had saved the life of a child.

In modern times the haggan has become an endangered species. Federal and local laws passed in the 1970s have made the haggan a protected species, where it is no longer legal to hunt, kill, trade or make use of the haggan shells.

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In her first solo show, Julia Birn presents Chewing on Static. She regards this body of work as an exploration of what it means to live in a life that no longer feels entirely familiar. Ms. Birn uses her work as a way to consider what happens when something changes the way one moves through the world, the relationship with oneself, and understanding of the future, as a result of chronic illness. Her paintings emerge from this unresolved experience, giving shape to the feeling of living with something that cannot always be explained or communicated. Through abstraction, fragmentation, and restricted palettes, the works hold onto that tension, allowing forms to shift and remain ambiguous. What emerges is a reflection of what it is like to live with a reality that has become difficult to recognise. The title of the exhibit, Chewing on Static speaks to the mental noise that comes from searching for clarity, questioning one's own experience, and trying to communicate something that refuses to become simple or certain. It is about what happens when one is forced to construct a new understanding of oneself and continue living within something that is unchosen. Through her work, Birn asks the viewer to enter a space where certainty is difficult to find, and to sit with what cannot be resolved. Julia Birn is an accomplished artist, graphic designer, and entrepreneur, who has participated in multiple large and small group shows in Guam since 2022. She has recently earned her BFA in graphic design from the Savannah College of Art and Design, Summa Cum Laude. Follow her on Instagram @deafeningsilenceco or contact via email at deafeningsilenceco@gmail.com

Chewing on Static

Chewing on Static https://www.guammuseumfoundation.org/wp-content/uploads/2026/09/Chewing-on-Static-INSTAGRAM_4K_H265.mov The next exhibit opening October 24, 2026 at the Guam Museum Cafe Gallery. In her first solo show, Julia Birn presents

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