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Summary

The religion of Ancient CHamorus was focused around the veneration of ancestors, who upon death became aniti or ancestral spirits that could provide protection and support for their living family. As part of their beliefs, Ancient CHamorus engaged in a series of rituals to ensure the successful transition for a dying family member into the afterlife.

The religion of Ancient CHamorus

The religion of Ancient CHamorus

The religion of Ancient CHamorus was focused around the veneration of ancestors, who upon death became aniti or ancestral spirits that could provide protection and support for their living family. As part of their beliefs, Ancient CHamorus engaged in a series of rituals to ensure the successful transition for a dying family member into the afterlife.

Here is an excerpt from the account of Fray Juan Pobre, and what he witnessed while living on the island of Rota in 1602:

“Near this house, they had constructed a scaffolding of palms and trees. On top of it, there was a chair in which they placed the already foul-smelling body of the dead indio. The other leaders were gathered around it, some weeping and wailing and saying many things to him that I could not understand.

Then they lowered the body and together they carried it down to the beach, where they placed it in front of the house of one of his brothers who was his heir…They prepared a grave and lowered the body into it. They filled it and covered it with a new mat.

At the corners of the grave, they placed posts on which they constructed a small platform that they covered with new woven mats in such a way that it resembled a covered bier. Then they left that place and accompanied the brother to the house of the deceased where, amidst their tears, they made a great fiesta.”

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In her first solo show, Julia Birn presents Chewing on Static. She regards this body of work as an exploration of what it means to live in a life that no longer feels entirely familiar. Ms. Birn uses her work as a way to consider what happens when something changes the way one moves through the world, the relationship with oneself, and understanding of the future, as a result of chronic illness. Her paintings emerge from this unresolved experience, giving shape to the feeling of living with something that cannot always be explained or communicated. Through abstraction, fragmentation, and restricted palettes, the works hold onto that tension, allowing forms to shift and remain ambiguous. What emerges is a reflection of what it is like to live with a reality that has become difficult to recognise. The title of the exhibit, Chewing on Static speaks to the mental noise that comes from searching for clarity, questioning one's own experience, and trying to communicate something that refuses to become simple or certain. It is about what happens when one is forced to construct a new understanding of oneself and continue living within something that is unchosen. Through her work, Birn asks the viewer to enter a space where certainty is difficult to find, and to sit with what cannot be resolved. Julia Birn is an accomplished artist, graphic designer, and entrepreneur, who has participated in multiple large and small group shows in Guam since 2022. She has recently earned her BFA in graphic design from the Savannah College of Art and Design, Summa Cum Laude. Follow her on Instagram @deafeningsilenceco or contact via email at deafeningsilenceco@gmail.com

Chewing on Static

Chewing on Static https://www.guammuseumfoundation.org/wp-content/uploads/2026/09/Chewing-on-Static-INSTAGRAM_4K_H265.mov The next exhibit opening October 24, 2026 at the Guam Museum Cafe Gallery. In her first solo show, Julia Birn presents

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