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The Government of Guam, through the Guam Council on the Arts and Humanities Agency has recognized one Master of CHamoru Culture for the making of the bilen, and that is the late Tan Ana Naputi Leon Guerrero, from the village of Inalåhan.

The Government of Guam, through the Guam Council on the Arts and Humanities Agency has recognized one Master of CHamoru Culture for the making of the bilen, and that is the late Tan Ana Naputi Leon Guerrero, from the village of Inalåhan.

Spanish colonization brought about many changes to CHamoru culture, none more significant than the Catholic religion, which in time became an integral part of the lives of the people of the Marianas.

During the Christmas season, the erecting of a bilen or a nativity scene was one of the most important family activities. CHamorus would building a stable and a manger for a statue of the Niñu Jesus or the Baby Jesus. They would include figures to represent Joseph and Mary, as well as shepherds or angels.

The entire scene would be decorated with flowers and plants, and most importantly lumot or moss to provide a beautiful green base to place the figures atop or to decorate the buildings. Once completed, families will gather around the bilen for the praying of the multi-night nobena and singing of nobena songs.

Many families continue the tradition of erecting a bilen for the holidays. The Government of Guam, through the Guam Council on the Arts and Humanities Agency has recognized one Master of CHamoru Culture for the making of the bilen, and that is the late Tan Ana Naputi Leon Guerrero, from the village of Inalåhan.

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In her first solo show, Julia Birn presents Chewing on Static. She regards this body of work as an exploration of what it means to live in a life that no longer feels entirely familiar. Ms. Birn uses her work as a way to consider what happens when something changes the way one moves through the world, the relationship with oneself, and understanding of the future, as a result of chronic illness. Her paintings emerge from this unresolved experience, giving shape to the feeling of living with something that cannot always be explained or communicated. Through abstraction, fragmentation, and restricted palettes, the works hold onto that tension, allowing forms to shift and remain ambiguous. What emerges is a reflection of what it is like to live with a reality that has become difficult to recognise. The title of the exhibit, Chewing on Static speaks to the mental noise that comes from searching for clarity, questioning one's own experience, and trying to communicate something that refuses to become simple or certain. It is about what happens when one is forced to construct a new understanding of oneself and continue living within something that is unchosen. Through her work, Birn asks the viewer to enter a space where certainty is difficult to find, and to sit with what cannot be resolved. Julia Birn is an accomplished artist, graphic designer, and entrepreneur, who has participated in multiple large and small group shows in Guam since 2022. She has recently earned her BFA in graphic design from the Savannah College of Art and Design, Summa Cum Laude. Follow her on Instagram @deafeningsilenceco or contact via email at deafeningsilenceco@gmail.com

Chewing on Static

Chewing on Static https://www.guammuseumfoundation.org/wp-content/uploads/2026/09/Chewing-on-Static-INSTAGRAM_4K_H265.mov The next exhibit opening October 24, 2026 at the Guam Museum Cafe Gallery. In her first solo show, Julia Birn presents

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