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rob limtiaco and segundo blas

Rob Limtiaco and Tun Segundo Blas holding higam or adzes used for canoe carving.

This image was taken during the 1982-1983 apprenticeship of Rob under Tun Segundo Blas, one of the last traditional CHamoru carvers in postwar Guam. Although CHamorus once sailed the open ocean, navigated using the stars and were accomplished seafarers, much of this was lost due to colonization. By the 20th century, CHamorus were only carving simple dugout canoes with an outrigger called galaide’, no longer the great såkman of the past.

This apprenticeship with Tun Segundo Blas was one of the first of its kind, continuing the transmission of traditional knowledge to the next generation at a time when many practices were no longer being taught. It was made possible by the Guam Council on the Arts and Humanities Agency, which has regularly offered these types of apprenticeships for carvers, weavers, blacksmiths, and net-makers since.

Rob would later go on to study navigation and canoe carving on the island of Polowat, where he learned under Polowatese Master Seafarers Tawa and Rapwi.

In her first solo show, Julia Birn presents Chewing on Static. She regards this body of work as an exploration of what it means to live in a life that no longer feels entirely familiar. Ms. Birn uses her work as a way to consider what happens when something changes the way one moves through the world, the relationship with oneself, and understanding of the future, as a result of chronic illness. Her paintings emerge from this unresolved experience, giving shape to the feeling of living with something that cannot always be explained or communicated. Through abstraction, fragmentation, and restricted palettes, the works hold onto that tension, allowing forms to shift and remain ambiguous. What emerges is a reflection of what it is like to live with a reality that has become difficult to recognise. The title of the exhibit, Chewing on Static speaks to the mental noise that comes from searching for clarity, questioning one's own experience, and trying to communicate something that refuses to become simple or certain. It is about what happens when one is forced to construct a new understanding of oneself and continue living within something that is unchosen. Through her work, Birn asks the viewer to enter a space where certainty is difficult to find, and to sit with what cannot be resolved. Julia Birn is an accomplished artist, graphic designer, and entrepreneur, who has participated in multiple large and small group shows in Guam since 2022. She has recently earned her BFA in graphic design from the Savannah College of Art and Design, Summa Cum Laude. Follow her on Instagram @deafeningsilenceco or contact via email at deafeningsilenceco@gmail.com
Julia Birn presents Chewing on Static

Chewing on Static

Chewing on Static https://www.guammuseumfoundation.org/wp-content/uploads/2026/09/Chewing-on-Static-INSTAGRAM_4K_H265.mov The next exhibit opening October 24, 2026 at the Guam Museum Cafe Gallery. In her first solo show, Julia Birn presents

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GERAS: Ripened in the Badlands
GERAS: Ripened in the Badlands

Sigwarz: Ripened in the Badlands

SummaryThe Guam Museum Café Gallery invites the community to experience “Ripened in the Badlands”, a vibrant exhibition exploring identity, resilience, place, and the experiences that shape

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