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pre-World War II study of the CHamoru people titled “Guam and Its People”

Pre-World War II study of the CHamoru people titled “Guam and Its People” anthropologist Laura Thompson

In her pre-World War II study of the CHamoru people titled “Guam and Its People” anthropologist Laura Thompson described CHamoru values on discipline and punishment for their children. She wrote,

“Parents usually exercise personal authority over their children and their prestige is reinforced by the teachings of the church and by the school.  A sharp line is drawn between right and wrong. If a child fails to obey, he is teased or ridiculed, or he is slapped or whipped with a switch, a stick or leather strap.”

This contrasted with the CHamoru cultural approach to disciplining children described by Fray Juan Pobre when he lived amongst the CHamoru people three centuries earlier in 1602. Pobre wrote that the great love CHamorus felt for their children compelled them to not scold or physically punish them. He said,

“So great is their love for their children that it would take a long time to describe it and to sing its praises. They never spank them, and they even scold them with loving words. When a child is offended and angered by what is done to him, he will move a short distance away from his parents and turn his back to them, not wanting to face them. They will then toss sand or pebbles on the ground behind him, after he has cried for a little while, one of his parents will go to him and, with very tender words, will take him in his arms and or raise him to his shoulders and carry him back to where the others are gathered.”

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In her first solo show, Julia Birn presents Chewing on Static. She regards this body of work as an exploration of what it means to live in a life that no longer feels entirely familiar. Ms. Birn uses her work as a way to consider what happens when something changes the way one moves through the world, the relationship with oneself, and understanding of the future, as a result of chronic illness. Her paintings emerge from this unresolved experience, giving shape to the feeling of living with something that cannot always be explained or communicated. Through abstraction, fragmentation, and restricted palettes, the works hold onto that tension, allowing forms to shift and remain ambiguous. What emerges is a reflection of what it is like to live with a reality that has become difficult to recognise. The title of the exhibit, Chewing on Static speaks to the mental noise that comes from searching for clarity, questioning one's own experience, and trying to communicate something that refuses to become simple or certain. It is about what happens when one is forced to construct a new understanding of oneself and continue living within something that is unchosen. Through her work, Birn asks the viewer to enter a space where certainty is difficult to find, and to sit with what cannot be resolved. Julia Birn is an accomplished artist, graphic designer, and entrepreneur, who has participated in multiple large and small group shows in Guam since 2022. She has recently earned her BFA in graphic design from the Savannah College of Art and Design, Summa Cum Laude. Follow her on Instagram @deafeningsilenceco or contact via email at deafeningsilenceco@gmail.com

Chewing on Static

Chewing on Static https://www.guammuseumfoundation.org/wp-content/uploads/2026/09/Chewing-on-Static-INSTAGRAM_4K_H265.mov The next exhibit opening October 24, 2026 at the Guam Museum Cafe Gallery. In her first solo show, Julia Birn presents

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