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Drawing Sakman. Flying Proa. august 1742 british privateer george anson - drawn image

In August of 1742, British Privateer George Anson entered the Mariana Islands, and landed on the island of Tinian.

In August of 1742, British Privateer George Anson entered the Mariana Islands, and landed on the island of Tinian. There his men collected food and made repairs to their ship. They even drew one of the first images of the Guma’Tåga or the House of Tåga latte.

While in Tinian, Anson came across a såkman or a CHamoru canoe used for open-ocean voyages. Although the Spanish had forcibly removed all CHamorus from Tinian following the end of the CHamoru-Spanish Wars, there would be infrequent visits to the island, especially to collect tinala’ kåtne or dried meat from the cattle there. Anson’s visit to Tinian coincided with one such trip, and this is how he first witnessed a såkman in sail and then captured one.

Anson and his men marveled at the beauty and technological prowess of the såkman, and created this design, prior to destroying the canoe. Here is an excerpt from Anson’s account, which acknowledges that the CHamoru canoe known as a “flying proa” may live up to the speed implied by its name.

“The name ‘flying proa’ given to these vessels is owing to the swiftness with which they sail… From some rude estimations made by our people of the velocity with which they crossed the horizon at a distance while we lay at Tinian, I cannot help believing that with a brisk tradewind they will run near 20 miles an hour, which, though greatly short of what the Spaniards report of them, is yet a prodigious degree of swiftness.”

In her first solo show, Julia Birn presents Chewing on Static. She regards this body of work as an exploration of what it means to live in a life that no longer feels entirely familiar. Ms. Birn uses her work as a way to consider what happens when something changes the way one moves through the world, the relationship with oneself, and understanding of the future, as a result of chronic illness. Her paintings emerge from this unresolved experience, giving shape to the feeling of living with something that cannot always be explained or communicated. Through abstraction, fragmentation, and restricted palettes, the works hold onto that tension, allowing forms to shift and remain ambiguous. What emerges is a reflection of what it is like to live with a reality that has become difficult to recognise. The title of the exhibit, Chewing on Static speaks to the mental noise that comes from searching for clarity, questioning one's own experience, and trying to communicate something that refuses to become simple or certain. It is about what happens when one is forced to construct a new understanding of oneself and continue living within something that is unchosen. Through her work, Birn asks the viewer to enter a space where certainty is difficult to find, and to sit with what cannot be resolved. Julia Birn is an accomplished artist, graphic designer, and entrepreneur, who has participated in multiple large and small group shows in Guam since 2022. She has recently earned her BFA in graphic design from the Savannah College of Art and Design, Summa Cum Laude. Follow her on Instagram @deafeningsilenceco or contact via email at deafeningsilenceco@gmail.com

Chewing on Static

Chewing on Static https://www.guammuseumfoundation.org/wp-content/uploads/2026/09/Chewing-on-Static-INSTAGRAM_4K_H265.mov The next exhibit opening October 24, 2026 at the Guam Museum Cafe Gallery. In her first solo show, Julia Birn presents

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