Skip to content

Summary

In 1742, Anson and what was left of his expedition arrived in Tinian. After so many men had been lost to disease, lack of food and water, during the trip, the island felt akin to a paradise or an oasis. By this time, CHamorus of Tinian had been forcibly deported to live in Guam decades earlier by the Spanish, and so the island was empty of other people. It was filled with natural life, including cattle placed there by the Spanish.

In 1742, Anson and what was left of his expedition arrived in Tinian. After so many men had been lost to disease, lack of food and water, during the trip, the island felt akin to a paradise or an oasis. By this time, CHamorus of Tinian had been forcibly deported to live in Guam decades earlier by the Spanish, and so the island was empty of other people. It was filled with natural life, including cattle placed there by the Spanish.

In 1742, Anson and what was left of his expedition arrived in Tinian.

In 1740 Commodore George Anson left England with a squadron of eight ships, with orders to sail to the Pacific and harass Spanish ships and settlements. His expedition, despite the success in capturing the Covadonga, a Spanish galleon, was marred with peril and horrific losses. Several of his ships were lost at sea or lost along the voyage and forced to return back to England. A mutiny broke out after one of the ships had wrecked off the coast of Chile. Of the initial crew of 1,854, only 188 remained with the expedition when it returned to England in 1744.In 1742, Anson and what was left of his expedition arrived in Tinian. After so many men had been lost to disease, lack of food and water, during the trip, the island felt akin to a paradise or an oasis. By this time, CHamorus of Tinian had been forcibly deported to live in Guam decades earlier by the Spanish, and so the island was empty of other people. It was filled with natural life, including cattle placed there by the Spanish.Anson and his men camped near the Guma’Tåga or the House of Tåga in the southern part of the island. They captured a CHamoru sakman, crewed by four CHamorus and a Spaniard, and intrigued and impressed by its agility in the water, created a detailed draw of its design.Years after his harrowing, but successful circumnavigation of the globe, an account was published of his expedition, which became a bestseller. Copies of his book can be found in the collection of the Guam Museum. The two images for this post are inspired by Anson’s arrival at Tinian and the depiction of the latte at the House of Tåga.

In 1742, Anson and what was left of his expedition arrived in Tinian. After so many men had been lost to disease, lack of food and water, during the trip, the island felt akin to a paradise or an oasis. By this time, CHamorus of Tinian had been forcibly deported to live in Guam decades earlier by the Spanish, and so the island was empty of other people. It was filled with natural life, including cattle placed there by the Spanish.

If you enjoy the work the Guam Museum is doing, consider making a donation to the Guam Museum.

Continue Exploring:

In her first solo show, Julia Birn presents Chewing on Static. She regards this body of work as an exploration of what it means to live in a life that no longer feels entirely familiar. Ms. Birn uses her work as a way to consider what happens when something changes the way one moves through the world, the relationship with oneself, and understanding of the future, as a result of chronic illness. Her paintings emerge from this unresolved experience, giving shape to the feeling of living with something that cannot always be explained or communicated. Through abstraction, fragmentation, and restricted palettes, the works hold onto that tension, allowing forms to shift and remain ambiguous. What emerges is a reflection of what it is like to live with a reality that has become difficult to recognise. The title of the exhibit, Chewing on Static speaks to the mental noise that comes from searching for clarity, questioning one's own experience, and trying to communicate something that refuses to become simple or certain. It is about what happens when one is forced to construct a new understanding of oneself and continue living within something that is unchosen. Through her work, Birn asks the viewer to enter a space where certainty is difficult to find, and to sit with what cannot be resolved. Julia Birn is an accomplished artist, graphic designer, and entrepreneur, who has participated in multiple large and small group shows in Guam since 2022. She has recently earned her BFA in graphic design from the Savannah College of Art and Design, Summa Cum Laude. Follow her on Instagram @deafeningsilenceco or contact via email at deafeningsilenceco@gmail.com

Chewing on Static

Chewing on Static https://www.guammuseumfoundation.org/wp-content/uploads/2026/09/Chewing-on-Static-INSTAGRAM_4K_H265.mov The next exhibit opening October 24, 2026 at the Guam Museum Cafe Gallery. In her first solo show, Julia Birn presents

Read More »
error: Content is protected !!