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Summary

Our most ancient ancestors brought with them when they settled the Mariana Islands, a rich tradition of pottery-making and coastal living. The artifacts they left behind tell us about how they lived.

ancient chamoru pottery making famalaoan

A rich tradition of pottery-making and coastal living

Our most ancient ancestors brought with them when they settled the Mariana Islands, a rich tradition of pottery-making and coastal living. The artifacts they left behind tell us about how they lived.

Litekyan (Guam), Achugao (Saipan) and Tåga’ (Tinian) are among some of the earliest known settlements in the Pacific Islands to date, featuring an abundance of “empe’tinaha” or pottery sherds, dating as early as 3,500 years ago.

Nearby rivers provided clay for pots. Pottery shape, size and decorations found in Pre-Latte and Latte era sites reflect changes in environment and lifestyle.

The earliest pottery our ancestors made was thin-walled with intricate lime-incised decorations. Patterns and motifs imprinted in pottery could have reflected clan symbols or features of the environment.

Beginning about 2,500 years ago, pots became larger and heavier, with thicker walls and simpler decorations. Some pots had vertical sidewalls and a flat bottom.

About 1,000 years ago, at the start of the Latte period, pots began to have thick rims and little or no decoration. As our ancestors settled into more permanent homes, and overall population of CHamorus was increasing, they produced larger, heavier, and less ornate pots for daily use. Additionally, the new pot styles may have reflected different foods or ways of cooking.

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In her first solo show, Julia Birn presents Chewing on Static. She regards this body of work as an exploration of what it means to live in a life that no longer feels entirely familiar. Ms. Birn uses her work as a way to consider what happens when something changes the way one moves through the world, the relationship with oneself, and understanding of the future, as a result of chronic illness. Her paintings emerge from this unresolved experience, giving shape to the feeling of living with something that cannot always be explained or communicated. Through abstraction, fragmentation, and restricted palettes, the works hold onto that tension, allowing forms to shift and remain ambiguous. What emerges is a reflection of what it is like to live with a reality that has become difficult to recognise. The title of the exhibit, Chewing on Static speaks to the mental noise that comes from searching for clarity, questioning one's own experience, and trying to communicate something that refuses to become simple or certain. It is about what happens when one is forced to construct a new understanding of oneself and continue living within something that is unchosen. Through her work, Birn asks the viewer to enter a space where certainty is difficult to find, and to sit with what cannot be resolved. Julia Birn is an accomplished artist, graphic designer, and entrepreneur, who has participated in multiple large and small group shows in Guam since 2022. She has recently earned her BFA in graphic design from the Savannah College of Art and Design, Summa Cum Laude. Follow her on Instagram @deafeningsilenceco or contact via email at deafeningsilenceco@gmail.com

Chewing on Static

Chewing on Static https://www.guammuseumfoundation.org/wp-content/uploads/2026/09/Chewing-on-Static-INSTAGRAM_4K_H265.mov The next exhibit opening October 24, 2026 at the Guam Museum Cafe Gallery. In her first solo show, Julia Birn presents

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